Arts & Culture
Tomorrow · Museums & Exhibitions

1,000 Ways to Hold: A New Work By Erika Chong Shuch

JUN 23 12 a.m. Anderson Collection

About this event

1,000 Ways to Hold is the culmination of a year-long participatory project by Stanford Arts’ 2025–26 Visiting Artist Erika Chong Shuch, rooted in conversation and clay. Developed in response to a moment shaped by loneliness, fragmentation, and uncertainty, the project proposes a tender, human-scale intervention: two people at a time sit together, shape ceramic bowls in pairs, and reflect on the question, What have you held, and what has held you? Created across campus in classrooms, community spaces, and everyday gathering sites, the bowls are embedded with digital traces that capture the intimacy of these shared encounters. In this exhibition at the Anderson Collection, the bowls are gathered and activated, inviting visitors to listen, touch, and engage with a living archive of connection. Together, they form both an artwork and a collective portrait—evidence of how small acts of making and listening can hold memory, care, and community. The exhibition will be on view in the Wisch Family Gallery from April 2 – August 17, 2026 ABOUT THE ARTIST Erika Chong Shuch is a choreographer, director, and performance maker whose work bridges experimental performance and social practice through inventive forms of audience engagement. Centering people and labor often overlooked, her projects reimagine where and how art-making begins. She is the founder of For You, a performance group that brings strangers together through experiences ranging from intimate encounters to large-scale public gatherings. Erika has been commissioned by the Oregon Shakespeare Festival, Court Theatre (Chicago), The Momentary, Cantor Arts Center, and Edge on the Square (San Francisco). Her work has been supported by Creative Capital, New England Foundation for the Arts, and the Gerbode Foundation. She was a 2022–23 Bay Area Fellow at Headlands Center for the Arts and is currently co-creating The Table with Mei Ann Tao and the San Francisco Civic Theater Project with Jonathan Moscone. ACKNOWLEDGMENTS 1,00

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